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Fw:Books is an independent publisher with a focus on photography and related topics.

We are looking forward to be at Paris Photo for th

We are looking forward to be at Paris Photo for the first time! ✨

You can find us at booth J06 on the balcony of Grand Palais, with signings, limited editions, talks, and launches of our latest titles. 📚

When around, come say hi!

OUR PROGRAMME

👉 Signings
THU 12 NOV
15:00 — Boris Snauwaert (Sliver)
15:30 — Nicolas Giraud (Printing Disasters)
16:00 — Meet the Artists with Nicolas Giraud, Mark Lyon, Kim Boske, Boris Snauwert [ organised with our fair neighbours and friends from VOID 🥂 ]
18:00 — Bharat Sikka (A Set of Tapes, Ripples in the Pond and Elephant in the Room)

FRI 13 NOV
13:00 — Hans van der Meer (Goalkeepers)
13:30 — Farren van Wyk (Mixedness is my Mythology)
17:00 — Launch Trigger 7 Oceans

SAT 14 NOV
13:30 — Mark Lyon (Awesome)
15:30 — Book Talk between Hans Gremmen and Lesley A. Martin at the Galerie Courbe section in Grand Palais. Hosted by Printed Matter.

👉 Special Editions
We have special and limited editions from
— Hans van der Meer (Minor Mysteries)
— Ine Lamers (The Radiant Screen)
— Bharat Sikka (A Set of Tapes)
— Bert Teunissen (Everglades)
— Hans Gremmen (In Between / The Empty West)
— Charlotte Dumas (Entendue)
— Boris Snauwaert (Sliver)
— Stephan Keppel (Hard Copy Soft Copy)

👉 Signed copies
We will have pre-signed copies available of Charlotte Dumas (Entendue), Sabelo Mlangeni (Isivumelwano) and Kim Boske (Kamiyama).

👉 Nomination
‘Mixedness is my Mythology’ by Farren van Wyk is nominated for the 2026 Paris Photo–Aperture First PhotoBook Award. All shortlisted books will be exhibited at Paris Photo.

👉 Extra ‘Trigger 7 Ocean’ events in Paris
FRI 13 NOV
11-13:00 — Talk: Critical Beans / Centre Culturel Irlandais (icw PhotoIreland) 5 rue des Irlandais, 75005 Paris
SAT 14 NOV
11-13:00 — Book launch & conversation / Atelier Néerlandais (icw Fotodok) 22 Avenue Victoria, 75001 Paris.

📚📚
Paris Photo
11-15 Nov 2026

Location
Grand Palais
3 avenue du Général Eisenhower
75008 Paris – France

Dates and times
Wed: 11-21:00 (invitation only)
Thu/Fri/Sat: 13-20:00
Sun: 13-19:00

✌️

✨ Now available: ’Trigger nr.7 / Ocean’ guest edit

✨ Now available: ’Trigger nr.7 / Ocean’ guest editors Oceanographies Collective (Nuria Bofarull & Irene Solé Quevedo)✨ ’Trigger Ocean’ will be launched at Paris Photo Friday 13 November, 5 pm at our booth in Grand Palais J06 ➰ Also available as a set with Trigger 6 / Assemblies

About the book:
Ocean explores what happens when we move beyond the ocean as a clear blue image and start thinking with it: as a living ‘engine’, a history, a force. What can photography do with what is submerged, obscured, moving, microscopic or beyond the frame?
Bringing together photography, art, writing and marine research, the book moves through underwater vision, marine life, migration, maritime memory, colonial histories, climate change, fisheries and subsea infrastructures. It is less interested in the ocean as an image than in what the ocean ‘does’ to images, practices and the gaze. With Mae Lubetkin, Carolin Brendel, Dhia Dhibi, Matthew James Beach, Travis Brandwood, SHOOK Studio, Yvette Monahan, Simone Kessler & Cristina Zenato, Nicolas Floc’h, Mike Twardowski, Sonia Levy & Amjed Khiareddine, Bianca Baldi & Miranda Lowe, Hyeongjin Oh, Shariq Shah, Alice Sharp, Rossella Biscotti, Toby Yuen-Gen Liang & Dionysios Raitsos, Aliki Christoforou, Tao Leigh Goffe, Ali Shobeiri & Shao-Feng Hsu, Rosa Lacavalla, Ayasha Guerin, Anna Ridler, Ileana Selejan & Yuki Kihara, Cecilia Sordi Campos, Noor van der Wal, Nechama Winston, Lucia Rebolino, Anastasía Miseyko, Chiara Indelicato, Marjolijn Dijkman, Fiepke van Niel & Nienke Coers, Bruna Casas & Anna Montraveta Riu, Tom Lyon.

304 p / ills colour & bw / 17 x 24 cm / softcover / English / Trigger is made in collaboration with FOMU Antwerp / isbn 978-90-837807-1-9

👉 Extra ‘Trigger #7 Ocean’ events in Paris
— Friday 13 November: 11-13:00
Talk: Critical Beans / Centre Culturel Irlandais (icw PhotoIreland) 5 rue des Irlandais, 75005 Paris
— Saturday 14 November: 11-13:00
Book launch & conversation / Atelier Néerlandais (icw Fotodok) 22 Avenue Victoria, 75001 Paris.

@triggerfomu
@oceanographies_collective
@parisphotofair
@fotodok.nl
@photoireland
@tom.viaene.31
@wilco_artbooks
@k.chen._

✨ Now available: ’Awesome’ by Mark Lyon ✨ ’Awesome

✨ Now available: ’Awesome’ by Mark Lyon ✨ ’Awesome’ will be launched at Paris Photo. Mark will be signing Saturday 14 November, 1:30 pm at our booth in Grand Palais J06 ➰

About the book:
Music has the power to entrance, enrapture and transform us. In certain instances it can verge upon a religious experience while drawing people together to celebrate in their shared passion. AWESOME is a freize of photographs portraying the emotions of fans worldwide from the front row of MGMT concerts. The songs and their magic elicit dramatic responses spontaneously, and this sense of freedom is electrifying. Be it in Portland, Oregon; Paris, France or Manchester, UK, to name just a few, the bonding with the band is visible and palpable. There is awe, adulation, and ecstasy written on faces of the lucky few closest to the stage. Mark Lyon accompanied periodically the band during the period 2010 through 2018, covering tours highlighting Oracular Spectacular, Congratulations and MGMT.

23,5 x 30 cm | softcover | 128 pages (parallel fold, with party closed edge) | Text by Mark Lyon | Poem by Andrew VanWyngarden | English |isbn 978-90-837807-2-6

@mark_e_lyon
@whoismgmt
@robstolk.amsterdam
@parisphotofair

✨ Now available: ’Printing Disasters’ by Nicolas G

✨ Now available: ’Printing Disasters’ by Nicolas Giraud ✨ ’Printing Disasters’ will be launched at Paris Photo. Nicolas will be signing Thursday 12 November, 3:30 pm at our booth in Grand Palais J06 ➰

About the book:
Disaster postcards were printed on the occasion of natural and industrial catastrophes from the end of the nineteenth century to the nineteen sixties. They form an inventory of the sorts of destruction that followed from the development of industrial society. Products of both nineteenth-century romanticism – nostalgia for an unexploited nature – and the technological sublime, they reflect a similar morbid attraction for death and disaster.
Modest forms of cheap sublime, these disaster postcards reduce the destruction of a city or property to a hastily printed card. They are bits of history but also represent a collision between the industrialization shown in the pictures and the catastrophes themselves. While old Europe mostly produced black-and-white postcards of ruins, the United States favored live, vividly colorized photographs, with the intuition that spectacle sells. There is a double disaster: the event and its reproduction. The appeal of the picture, just like a controlled explosion, blows the tragedy out. The event becomes a simple anecdote, reduced to the harmless form of a printed ephemera. Beyond the hand-painted flames and the colorized skies, the main disaster is already the picture, working as a screen against reality.

12 x 17 cm | softcover, swiss binding | 256 pages | English |isbn 978-90-837807-3-3

@nicolas_6iraud
@parisphotofair

📦➰📦 The past twenty years we must have visited ove

📦➰📦 The past twenty years we must have visited over a hundred art book fairs. Always fun trips to make, and inspiring places to be 👉 slide 16. But we felt the need to keep things fresh, and decided to play around with our toolset for these fairs: printing boxes to transport, and store, our books, and making labels and tables. 🤘
First fair on the list will be Paris Photo at the Grand Palais. When around do drop by! 🛸
⚡️⚡️
Many thanks to @twee_jongens for helping out with the production (slide 9/10/11)
The boxes are made with work from Stephan Keppel, Marie José-Jongerius and Bertien van Manen 🖤

@stephan_keppel
@mariejose.jongerius
@bertienvanmanenfoundation
@parisphotofair

✌️

✨✨ Very happy to see ‘Mixedness is my Mythology’ b

✨✨ Very happy to see ‘Mixedness is my Mythology’ by Farren van Wyk shortlisted for the 2026 Paris Photo–Aperture First PhotoBook Award 🥂🥂

Congrats to Farren and our co-publishers and friends from Deadbeat Club, and of course all others involved! ✌️

👉 We will have the book (and many other titles) available during Paris Photo at @parisphotofair you can find us at the balcony of the Grand Palais
👉 All shortlisted books will be exhibited during Paris Photo.

@farrenvwyk
@taous_r_dahmani
@deadbeatclub
@aperturefnd
@parisphotofair
@robstolk.amsterdam
@hans.gremmen

Ready for the opening of NYABF 📚📚 When around come

Ready for the opening of NYABF 📚📚
When around come say hi!
✌️
With books by @bharatsikkastudio @stephan_keppel @hans.gremmen #hansvandermeer @brian_ulrich @petrastavast @triggerfomu @charlotte_dumas_ @farrenvwyk @vogelmuur @vul.ne.ra.bil @andresvgonzalez @yuji.hamada

Preparing for Printed Matter’s NY Art Book Fair. M

Preparing for Printed Matter’s NY Art Book Fair.
Meet us at table E7 📚

24-27 September
MoMA PS1
22-25 Jackson Ave

Signings
🕒 Friday 3pm: Brian Ulrich, ‘The Centurion’
🕒 Saturday 3pm: Farren van Wyk, ‘Mixedness is my Mythology’

New books by Bharat Sikka ‘A Set of Tapes’, and Boris Snauwaer, ‘Sliver’.✨✨
📚 From the archive we have a few copies of the sold out book ’Serendipity’ by Hans Gremmen.
Also we will have Limited Edition T-Shirts (one-offs) and a set of posters by Stephan Keppel. ➰
✨✨✨✨✨✨✨✨
Opening hours:
Thu. 7–10pm
Fri. 12–7pm
Sat. 10am – 7pm
Sun. 12–6pm

See you!
✌️

@printedmatter_artbookfairs @printedmatterinc
Supported by @mondriaanfonds 📚

✨ Now available for pre-order: ’The Centurion’ by

✨ Now available for pre-order: ’The Centurion’ by @brian_ulrich ✨The Centurion will be available at the NYABF @printedmatter_artbookfairs ➰

24 x 29,5 cm / 164 pages
isbn 978-90-836127-5-1
Distribution @ideabooksnl
Lithography @mariskabijl
Production @josmorreefinebooks
Printed by @wilco_artbooks
Design @hans.gremmen
Pre-orders are shipped in October

About the book:
‘The Centurion’ is named after the moniker of the famed American Express Black Card, which was created in response to persistent rumors of its existence throughout the 1980s. This contemporary tale of the rendering of reality from urban myth is perhaps emblematic of a new Gilded Age – where illusion manifests itself as power through wealth. Brian Ulrich’s photographs examine the construction of desire and myth, and portray wealth as an aspiration, an enchantment, and a means to consolidate power. From store display windows where luxury objects function as precursors to screen culture, to hierarchical views of landscape and architecture, to direct, performative portraiture, ‘The Centurion ‘questions the social, economic, and psychological effects of a system that equates success with plutonomy.
Photography has a particular power to reveal what many are blind to, especially within the culture of privilege. ‘The Centurion’ shows how commerce and consumption fuel irrational desire, envy, and the pursuit of power, while also revealing the often frail mechanics of its construction, evident in the inherent loss of value of an expired credit card or the folly of a contemporary home built as architecture of defense.

Now available: ’Sliver’ by Boris Snauwaert / @voge

Now available: ’Sliver’ by Boris Snauwaert / @vogelmuur
🌖🌗🌘🌑🌒🌓🌔
52 pp / 24 x 31,5 cm / English / Hardcover / Design @hans.gremmen / 4 cover colour variations, distributed randomly 🟠➰🔵

isbn 978-90-836127-8-2
Distribution @ideabooksnl
Printed by @wilco_artbooks

About the book:
Photographer Boris Snauwaert’s images are poetic and evocative. His work is made in natural landscapes, urban environments, and terrains vagues—the overlooked, transitional spaces at the edges of the city—yet they ultimately resist fixed definition. Sliver examines the meaning that emerges in the space between images. Rather than focusing on the individual photograph, the project foregrounds the shifts in meaning produced through the confrontation and tension between images placed in relation to one another. Each image informs and alters the reading of the next, generating a dynamic interplay of weight, scale, and texture. Within these relational structures, perceptual hierarchies begin to shift: the small can acquire a monumental presence, while the monumental can lose its inherent sense of weight and significance.

The publication Sliver is available with four different cover colours, each establishing a distinct visual and emotional tone.
✌️

🟡🟣 Never-ending Summer 🟣🟡 A new batch of T-shirts,

🟡🟣 Never-ending Summer 🟣🟡
A new batch of T-shirts, to celebrate Summer. This set of second-hand T-shirts contains mainly surf/skate/outdoor brands. 25 T-shirts will be shipped to NYABF later this week. The rest will be online available anytime soon(er or later). Printed with @twee_jongens 🟡➰⚪️➰🟣➰🟠

✨ Very excited to check an unbound copy of ’The Ce

✨ Very excited to check an unbound copy of ’The Centurion’ by Brian Ulrich ✨✨
📚📚
The title ‘The Centurion’ refers to a modern myth turned reality that began in the 1980s. According to urban legend, American Express issued, by invitation only, a special charge card to ultra-wealthy individuals, who could use it to purchase anything and everything they wanted–from personal planes to private islands–as long as they did not disclose the existence of the card. The company fielded hundreds of calls from people requesting the card, and finally, in 1999, it launched the Centurion, an actual credit card program with features and benefits resembling those attributed to the imaginary card. This transformation of rumor into fact presaged the accelerating pace of income inequality, in which the dream of extreme wealth has increasingly become a reality for a small sliver of contemporary society.
Ulrich’s photographs document three key manifestations of this phenomenon: the display window, where luxury goods are presented as exclusive objects of desire; personal appearance, in which individuals cultivate eccentricity, highlight cultural mannerisms, and flaunt elite fashion in order to set themselves apart; and new residences designed to look like castles, with curtain walls serving as visual and conceptual fortifications against outsiders.

@brian_ulrich
164 pages + poster
245 x 300 mm
Softcover

Printing: @wilco_artbooks
Production: Jos Morree
Colour management: @mariskabijl @robstolk.amsterdam

Now available in our webshop: Overprinted T-shirts

Now available in our webshop:
Overprinted T-shirts (Limited Edition)
🔵➰⚪️➰🟢➰⚫️
A project by @hans.gremmen
These shirts are one-offs in various sizes. All T-shirts are manually silkscreened by @twee_jongens on second-hand T-shirts. ♣️♠️
👉The sizing (S, M, L, XL) is an indication 👉 Exact measurements of each shirt can be found in the chart (listed with each individual shirt: metric and inches information available) 👉Make sure to check the exact size before ordering! 👉Shirts may contain traces of use ♻️

Link in bio
✨🌈✨
Have fun!

✌️

Now available in our webshop 🔵🟢Tote Bag (In Betwe

Now available in our webshop

🔵🟢Tote Bag (In Between) 🟢🔵
Size: 38 x 38 x 9 cm + inside pocket 23 x 15 cm / double sided silkscreen: one side blue, one side green / Mid Tote Bag, 100% Recycled Open End Carded Cotton / printed by @twee_jongens

♣️➰♠️

✌️

Now available: ‘Goalkeepers’ by Hans van der Meer.

Now available: ‘Goalkeepers’ by Hans van der Meer.
⚽️➰⚽️
168 pages / 23 x 22 cm / English / softcover Swiss binding / text by Hans van der Meer / Design @hans.gremmen / French and German edition published by @hartmann_projects

isbn 978-90-836127-7-5
Distribution @ideabooksnl

About the book:
Football is deeply rooted in European culture, and football grounds form a familiar part of the landscape in villages across the continent. Since 1995, photographer Hans van der Meer has documented lower-league matches, capturing not only the game but also its surroundings. Beginning in the Netherlands with the book Dutch Fields (1998) and later expanding across Europe in European Fields (2006), his work highlights the relationship between sport and place. Photographed from fixed, often elevated viewpoints, the scenes frequently show solitary goalkeepers waiting as play unfolds at the far end of the pitch. These quiet moments form a tribute to the remote fields where amateur players pursue their passion, far from the spotlight of the UEFA Champions League.

✌️

Last day at @offprint_projects ✨✨ Signed copies a

Last day at @offprint_projects
✨✨
Signed copies available of ‘Mixedness is my mythology’ by @farrenvwyk 📚 ‘The weight of the Word’ by @pieromartinello 📚 ‘Picturing the invisible’ 📚

Open today 11-18:00
Free entrance

Come say hi!

✌️

Ready at @offprint_projects 📚➰📚 With books by @pi

Ready at @offprint_projects 📚➰📚

With books by @pieromartinello @bharatsikkastudio @edpanar @mlangenisabelo @vul.ne.ra.bil @mak.makoto @farrenvwyk @olgasokal @lorawebbnichols @bertienvanmanenfoundation @charlotte_dumas_ @iris.sikking @arastenberger @verena_blok @kimboske @hans.gremmen @eddyvanwessel @dafnatalmor

Thanks @mondriaanfonds for the support ⚡️
Offprint is open today 3-9 pm / Free Entrance / 180 Studios

Come say hi
✌️

Getting ready for Offprint London 📚➰📚 You can find

Getting ready for Offprint London 📚➰📚
You can find us 15-17 May at 180 Studios.
✨✨

Signings:
📍 Fri. 4pm: @giles_price / Picturing the Invisible
📍Sat. 3pm: @farrenvwyk / Mixedness is my Mythology
📍All Day Every Day: @hans.gremmen / In Between

👉 Nomination:
‘The Weight of the Word’ by @pieromartinello and Piero Casentini is nominated for the Kraszna-Krausz Book Awards 2026. The longlist will be on display at Photo London (13 – 17 May 2026, Kensington Olympia, London).

📚📚
Offprint London:
15-17 May 2026

(new!) Location
180 Studios
180 Strand, Temple,
London WC2R 1EA

Dates and times
Fri 15 May: 15 - 21:00
Sat. 16 May: 12 - 20:00
Sun.17 May: 11 - 18:00
Free entry

@offprint_projects

✌️

📢 Last chance! 💫Only a few days left to pre order

📢 Last chance! 💫Only a few days left to pre order a signed copy ‘Goalkeepers’ by Hans van der Meer ⚽️➰⚽️ We will ship all pre orders in the week of 18th of May.

About the book:
Football is deeply rooted in European culture, and football grounds form a familiar part of the landscape in villages across the continent. Since 1995, photographer Hans van der Meer has documented lower-league matches, capturing not only the game but also its surroundings. Beginning in the Netherlands with the book Dutch Fields (1998) and later expanding across Europe in European Fields (2006), his work highlights the relationship between sport and place. Photographed from fixed, often elevated viewpoints, the scenes frequently show solitary goalkeepers waiting as play unfolds at the far end of the pitch. These quiet moments form a tribute to the remote fields where amateur players pursue their passion, far from the spotlight of the UEFA Champions League.

168 pages / 23 x 22 cm / English / softcover Swiss binding / 81 photographs / text by Hans van der Meer / French and German edition available at Hartmann Books / isbn 978-90-836127-7-5

✌️

‘Goalkeepers’ by Hans van der Meer is now availabl

‘Goalkeepers’ by Hans van der Meer is now available for pre order in our webshop. 📚📚 All pre orders will be signed, and shipped in May.
⚽️➰⚽️
About the book:
Football is deeply rooted in European culture, and football grounds form a familiar part of the landscape in villages across the continent. Since 1995, photographer Hans van der Meer has documented lower-league matches, capturing not only the game but also its surroundings. Beginning in the Netherlands with the book Dutch Fields (1998) and later expanding across Europe in European Fields (2006), his work highlights the relationship between sport and place. Photographed from fixed, often elevated viewpoints, the scenes frequently show solitary goalkeepers waiting as play unfolds at the far end of the pitch. These quiet moments form a tribute to the remote fields where amateur players pursue their passion, far from the spotlight of the UEFA Champions League.

168 pages / 23 x 22 cm / English / softcover Swiss binding / 81 photographs / text by Hans van der Meer / French and German edition available at Hartmann Books / isbn 978-90-836127-7-5

✌️

Now available: ‘Mixedness is my Mythology’ by @far

Now available: ‘Mixedness is my Mythology’ by @farrenvwyk
💫💫

📍Launch tonight at the opening of Farren’s exhibition at @fotomuseumdenhaag
📍Or join this Sunday at @galeriewoutervanleeuwen where our friends from @deadbeatclub will be hosting a signing with Farren (2-4pm)
📚📚
About the book:
‘Mixedness is my Mythology’ explores the historical relationship between South Africa and the Netherlands that revolves around the connections and contradictions of migration, ethnicity, colonialism and apartheid. Farren was born in South Africa in 1993, the official last year of the apartheid era that classified her as Coloured. Farren’s grandparents were forcefully removed and her parents chose to raise Farren in The Netherlands from the age of six. Being born in South Africa and growing up in the Netherlands has created a point of intersectionality in which she bring South African, Dutch, African American and Black American cultural aspects together in images.
⚡️⚡️
Essay by @taous_r_dahmani
116 pages
Softcover
Tritone offset
24 x 29 cm
Design @hans.gremmen
Printing @robstolk.amsterdam
Binding @patist_boekbinderij
Co-published with @deadbeatclub
Distribution @ideabooksnl

✌️

Unseen Book Market at @nlfotomuseum is open! When

Unseen Book Market at @nlfotomuseum is open!
When around do drop by! ✌️ Free entrance

@unseenphotofair

Books by @stephan_keppel @verena_blok @andresvgonzalez @lorawebbnichols @mak.makoto @jaapscheeren @petrastavast @kimboske @bertienvanmanenfoundation @bharatsikkastudio @hans.gremmen @charlotte_dumas_ @eddyvanwessel @edpanar @vul.ne.ra.bil @triggerfomu @iris.sikking @arastenberger @galleriimage @marinacaneve @gianpaolo_arena

📚✨📚✨

📚📚 We are preparing for Unseen Book Market 📦📦 Open

📚📚 We are preparing for Unseen Book Market 📦📦 Opening tomorrow at the Nederlands Fotomuseum in Rotterdam! 💫 The museum’s entrance hall will host 35 publisher specialised in art/ photography. Free entrance.

SIGNINGS
🕑 Friday 2pm Verena Blok (Love Shit)
🕓 Friday 4pm Kim Boske (Kamiyama)

📍
Unseen Book Market / 26–29 March
Opening hours:
• Thu. 1-9pm
• Fri. Sat. Sun: 11am - 5pm

See you!
✌️

@unseenphotofair
@art_rotterdam
@nlfotomuseum
@verena_blok
@kimboske

✨ Very excited to check an unbound copy of ‘Mixedn

✨ Very excited to check an unbound copy of ‘Mixedness is my Mythology’ by @farrenvwyk 🌱🌱 it is Farren’s first monograph in which the she explores themes of identity, representation and personal agency.
📚📚
📣 Available for pre-orders 📣
The book will be launched 3 April at the opening of Farren’s exhibition at @fotomuseumdenhaag

Essay by @taous_r_dahmani
116 pages
Softcover
Tritone offset
23,5 x 29 cm
Design @hans.gremmen
Printing @robstolk.amsterdam
Binding @patist_boekbinderij
Co-published with @deadbeatclub

✌️

Best Dutch Book Designs 2025 💥🥂💥🥂💥 ’Kamiyama’ by K

Best Dutch Book Designs 2025
💥🥂💥🥂💥
’Kamiyama’ by Kimn Boske is selected for Best Dutch Book Design 💫💫 ‘Black Stone Burns’ buy Olga Sokal and ‘Ukraine’ by Eddy van Wessel are selected by the student jury. Congratulations, and many thanks to all involved 🙏
@kimboske @olgasokal @eddyvanwessel @wilco_artbooks @robstolk.amsterdam @mariskabijl @marcokokkelkoren @the.best.dutch.book.designs

On press with Farren van Wyk to print her first bo

On press with Farren van Wyk to print her first book ‘Mixedness is my Mythology’. ⚫️⚪️ The book will be ready for Farren’s show at Fotomuseum Den Haag, opening early April. With a an essay by Taous Dahmani, printed by robstolk and co-published with our Deadbeat Club-friends Alex and Clint 💫💫

@farrenvwyk @taous_r_dahmani @deadbeatclub @fotomuseumdenhaag @robstolk.amsterdam @mondriaanfonds #jaaphartenfonds #provinciegelderland @voordekunst
✌️

Now available: Hans Gremmen: ‘In Between, An Incom $Now available: Hans Gremmen: ‘In Between, An Incomplete Index (2001-2026)’ + ‘The Incomplete Deck’ 📚✨📚✨ In Between - An Incomplete Index (2001-2026): Amsterdam-based graphic designer @hans.gremmen has created over 400 books. While making these books, a miscellaneous pile kept growing in his studio: notes, sketches, photos, printed matter, screenshots, ephemera, and other breadcrumbs. ‘In Between’ is an attempt to deconstruct and re-organise this pile. The publication is a scrapbook about a hybrid design practice, but also a plea to consider failure as an option. Topics such as authorship, imperfection, collaboration, friendship, reproduction, and the status and interpretation of the image all play a key role. 276 p / Japanese binding / ills colour + bw / 17 x 23 cm / pb / English / isbn 9789083612720 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ The Incomplete Deck: Since 2014 Hans Gremmen has been picking up abandoned playing cards from the streets, hoping to once complete a deck. He followed two simple rules: 1. only single cards can be taken / 2. if there are more cards from the same deck on the street: only take the first card I see + (if there are any) the Jokers. The cards where found during walks in: Amsterdam, Utrecht, London, Sankt Johann, New York, Las Vegas, Los Angeles, Venice, Lille, Paris, Heelsum, Arnhem, Rotterdam, Uden, Landskrona. In ‘The Incomplete Deck’ Gremmen shows in a playfull way the history of playing card design. This zine is a postscript to pages 77 and 147-150 of the publication In Between, and Incomplete Index (2001-2026) 16 pages / 16,5 x 21,5 cm / colour / each book contains a random playcard / isbn 9789083612744 ♠️♥️♣️♦️ 👉 both books also available as a set on our website In between is printed by @drukkerijraddraaierssp and bound @patist_boekbinderij The Incomplete Deck is printed and bound by @wilco_artbooks$

✨✨ 2*0*2*5 was a great year with 17 new books 🌲🎄Ma

✨✨ 2*0*2*5 was a great year with 17 new books 🌲🎄Many thanks to all photographers, writers, designers, printers, binders, supporters, friends, and all others who made 2025 special✨🙌✨

@fomuantwerp @triggerfomu @taous_r_dahmani @nicolejeanhill @lorawebbnichols @charlotte_dumas_ @verena_blok @sandrakassenaar @olgasokal @bharatsikkastudio @vul.ne.ra.bil @stephan_keppel @pieromartinello @eddyvanwessel @rickvanderklooster @dafnatalmor @kimboske @mak.makoto @jaapscheeren @mariskabijl @wilco_artbooks @npnprinting @robstolk.amsterdam @ideabooksnl

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☕️🥐 Great to see ‘Entendue’ by Charlotte Dumas and

☕️🥐 Great to see ‘Entendue’ by Charlotte Dumas and ‘Ukraine’ by Eddy van Wessel among the 10 best Dutch photobooks from 2025, selected by Dutch Newspaper De Volkskrant! 🗞️💫

@charlotte_dumas_
@eddyvanwessel
@de_volkskrant
@robstolk.amsterdam

Preparing for the Cairo Art Book Fair, opening Thu

Preparing for the Cairo Art Book Fair, opening Thursday 11 December. Hope to see you there! ✨📚✨📚

👉 on Saturday (7pm) there will be a conversation between @roisaade founder of @huwawabooks and @hans.gremmen as part of the Garden Public Program. This talk is organized by @triggerfomu 📚

Opening hours:
December 11th: 6 PM - 10 PM
December 12th & 13th: 1 PM - 10 PM

Location: Ghurnata Community Space in Heliopolis, Cairo

@cairoartbookfair

We will have books by @bharatsikkastudio @andresvgonzalez @stephan_keppel @charlotte_dumas_ @tarrahkrajnak_studio @awoiska_vandermolen @verena_blok @lorawebbnichols @vul.ne.ra.bil @kimboske @iris.sikking @arastenberger @triggerfomu @taous_r_dahmani

When around come say hi!
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Now available: ‘Picturing the Invisible’, edited b

Now available: ‘Picturing the Invisible’, edited by Makoto Takahashi
✨✨
17,5 x 21,5cm, 144 p, ills colour, hb, English / works by Takashi Arai, Rebecca Bathory, Thom Davies, Masamichi Kagaya and Satoshi Mori, Yoi Kawakubo, Giles Price, and Lieko Shiga / texts by Prof. Sheila Jasanoff | Dr. Peter Wynn Kirby | Prof. Jacques Lochard | Dr. Robert Macfarlane | Prof. Maxime Polleri | Dr. Hisako Sakiyama | Prof. Richard Samuels | Prof. Kyoko Sato | Aileen Mioko Smith | Dr. Brigitte Steger | Prof. Mikihito Tanaka | Sir David Warren | Prof. Kohei Watanabe and Prof. Brian Wynne
📚📚
Published in memory of the Great East Japan Earthquake, tsunami, and nuclear disaster, ‘Picturing the Invisible’ explores the realities of life in the wake of this seismic event, which shook Japan to its core. Even today, vast swathes of land remain uninhabitable. More than 35,000 people are unable to return to their homes, and many more choose not to, concerned that life in Fukushima may not be as safe as the government claims.

@mak.makoto @ideabooksnl @wilco_artbooks

Day 3 at Offprint! Signings by: 12:00 — Bharat S

Day 3 at Offprint!

Signings by:

12:00 — Bharat Sikka | Ripples in the Pond & Elephant in the Room
12:30 —Trigger 6 Assemblies | Taous Dahmani (ed.) with Tom Viaene
14:00 — Picturing the Invisible | Makoto Takahashi (ed.) with Yoi Kawakubo and Giles Price
15:00 — Rick van der Klooster | Between the Mountain and the River
16:00 — Olga Sokal | Black Stone Burns
16:00 — Verena Blok | Love Shit
17:00 — Kim Boske | Kamiyama

Come say bonjour!
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@bharatsikkastudio
@triggerfomu
@tom.viaene.31
@taous_r_dahmani
@giles_price
@mak.makoto
@rickvanderklooster
@olgasokal
@verena_blok
@kimboske

@cesure.paris
@offprint_projects

🥂 Offprint Paris is open! Drop by at the new loca

🥂 Offprint Paris is open!
Drop by at the new location at @cesure.paris 📚📚 12-20:00
✨ still few signed copies available by @charlotte_dumas_ 🐘
Signing today at 6pm by @pieromartinello

And books by: @bharatsikkastudio @wytskevankeulen @edpanar @mlangenisabelo @awoiska_vandermolen @triggerfomu @taous_r_dahmani @awoiska_vandermolen @iris.sikking @arastenberger @stephan_keppel @lorawebbnichols @bertienvanmanenfoundation @eddyvanwessel @vul.ne.ra.bil @martine.stig @olgasokal @calamitaproject @rickvanderklooster @kimboske @jaapscheeren @andresvgonzalez @verena_blok @petrastavast @marinacaneve @dafnatalmor
Thanks @mondriaanfonds @offprint_projects

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First 10 years

See the first 10 years of Fw:photography